Busking is what I’m talking aboot!
I’ll begin with a contemporary, bleeding obviously famous ex-Galway busker – AKA Ed Sheeran! Now, I didn’t know until I’d been in Galway a while, but apparently Ed busked in the streets of Galway before fame found him. And Galway (seems) to claim him as their own. And of course, he’s reciprocated with his song Galway Girl and by filming his famous video here – even if he used a Dublin Girl, Saoirse Ronan, in the clip.
I’ve paused to listen to many buskers while in Galway and have been blown away by the quality and youth of some musician buskers. Children, and I’m not talking teenagers or young adults, but children. Two or three of them, most likely siblings, I’d say. You know how siblings have a special complementary sound in their tone and harmony? Well, it seems obvious to me 🙂 But these kids are not only singers. They’re playing multiple instruments, with skill and passion. It is amazing and what a great training ground for them.
Not only do they get performance practice, they get to experience some adversity too! I’d guess at a few – weather, getting to their spot, rejection (no coins) elation (crowd loves them), weather, internal issues (having a bad day,, one of them doesn’t want to play, got colds, mum and dad are over it) weather, hecklers (hopefully not too many of those for the children) and even, red tape.
Wouldn’t anyone hearing angelic harmonies out of the mouths of babes stop in their tracks, amazed, dumbfounded and proud for them? Anybody with an appreciation for music – and a soul – would.
There are of course lower quality performers. They may be desperately having a go, because why? Well, I can only imagine. I’m not in their shoes. I’d assume their first impetus is earning some coin. And it would only be coin, because I’m talking about the ones who just aren’t any good. I’ve seen and heard a few older people especially and wondered “do they think they’re playing well?” In fairness, I think to myself, perhaps they used to be good. Maybe it is that their style has had its day, or it would hold up if they were part of an ensemble. Did their mothers always tell them they were brilliant? Do they know that they’re only mediocre, but stuff it; they love what they’re doing and they could use the extra coin.
Who am I to judge? And I only am judging because they’re forcing it on me by playing in the street. Everybody, anybody, should sing, play, dance like nobody’s watching. Full of joy and free of judgement. Unless you insist on sharing it with me 😀
There are some bloody brilliant ensembles and bands busking in Galway. To name two that I’ve really enjoyed are the Galway Street Club and Dead Letter Devils.
I’d describe the first as grunge, exuberant, loud, authentic, Irish and explicit. They’re on Spotify if you’re interested in looking them up. I love how their drummer uses a tea carton! I love to tap out a beat – I think I’m very good at it and keep thinking I should get drumming lessons. The musicality of banging out a beat on a wooden box blows me away. It puts a smile on my face.
Dead Letter Devils‘ Facebook page describes them as a foot stamping mix of bluegrass, swing, old timey and just a dash of folk-punk. Another loud and out there, enthusiastic band. Love it. Looks like I can only find their music by buying a CD off them on the street. But I never stay to the end to find out how much they cost. I’m also too self-conscious to sneak in and check their collection box 😀
That’s another thing I personally have trouble with – the donation. There are so many buskers and you can’t tip them all. And I haven’t necessarily heard the entire song / performance, just appreciated what I heard as I walked by. So, what’s the etiquette?
I find it easy enough if there isn’t a crowd around the performer. But for those amazing groups mentioned above, the crowd is big. And I come along, don’t know how much longer the performance will go on for, and really want to ask how much their CD is, but don’t want to a) wait or b) interrupt the performance – or c) bring attention to myself 🙂
I really hope that for these guys it is about the exposure and not (at least in this performance) about the money. Because there are a number of them in the group – seven or eight? And the money being offered has to be shared around them all. So, this is when it comes down to the opportunity to busk – the ability to gain attention and reputation, spread through word of mouth or by the serendipity of an event manager of some sort also passing by.
Last weekend I was wandering around and came upon the Galway Busker Community group in Eyre Square. Some of their members were performing, but their purpose was to entertain while bringing our attention to new by-laws about to be put through Galway Council, ‘seriously restricting’ busker rights in Galway.
Most of the contention was about lack of consultation with the busking community, and also that busking was a grassroots way for performers to be discovered. Galway Street Club shared on their Facebook page that because of the ‘platform of Shop Street in Galway, they and other performers have had the opportunity to perform across Ireland and Europe’. And that the Galway Council has seen this and ‘used their image and reputation in advertising in their bid for Galway 2020 European Capital of Culture’ (which they’ve won!).
The by-laws include such rules as – short version:
- Crowd Size. Must immediately cease performing if public access to or from any premises is restricted, due to a crowd gathering. So, if people have stopped to enjoy their music the band would have to stop playing – because a crowd has gathered! 😛
- Amplification, backing tracks and use of drum kits are expressly forbidden. Amplification is needed due to the background noise of busy streets, and use of drums is an integral part of most band music
- Censorship. ‘ … act, say, do or sing anything that may cause alarm, distress or offense …’. As the band says, this means that anybody even having a bad day who takes offence can complain and the band would be fined up to 1500 euros at any time.
Now, you can see some sense in what the Galway Council is trying to achieve. And although I, like so many others, love the expressionism, musicality and pure entertainment of street buskers, if you’re in business in such a tourist-centric town, you’d feel the need to be heard.
But ‘hello business’ – what is your main focus. That you need tourists in your city, in your street and then in your door. Well don’t these entertaining buskers help attract the tourist? Or are they just a pain in the butt with their noise, crowd pulling (interfering with access) and (potential) bawdiness.
I’ve twice been inside a retail business and had a conversation with staff about how awful a particular performer was on the day, with their comment being “yes, he’s always out there!”. So, if the businessman is also afflicted with a shite performer, then that’s a relevant point in the conversation.
I don’t know if Galway buskers have to audition before gaining a permit, whether they even have to apply for a permit. But there are areas in the world, including Australia, where this is a requirement and at least then you would expect an enjoyable standard.
I’m not a journalist and I don’t do real research for my light and observational writing. And so, I haven’t looked closely at the full detail of the by-laws. The Galway busking community cries ‘highly restrictive’.
At a glance, what I’ve seen looks sensible. There’s a balance to be found between creative license and practical reality. And if the busking community is correct, then perhaps the problem is really the lack of consultation and collaboration writing these by-laws, rather than the fact that they’ve come into being at all.
As a visitor to this medieval city, buskers add a festival element and entertainment value that seem to me, worth bottling. Galway City Council and the Galway Busking Community working together would be music to the ear of business, community and visitor alike.